is no rhyme but mere repetition) with courting-places, the one concession. The mothers' lives seem regimented - they 'assemble' (a word with a much more formal connotation than 'meet at swing and sandpit, and the landmarks of their lives, 'at intervals' behind them, appear predestined. Their 'summer is fading as Larkin puts it, a second symbolic use of time in the poem. In the second stanza, Larkin broadens out this vision of the mothers supervising their children at play: he imagines the womens husbands in skilled trades, as well as the other details of their ordinary lives, such as their wedding photo-album near the television at home. The title 'Afternoons' symbolizes the point in their lives that these women have reached: not yet the evening of old age, but no longer the morning of childhood, either. The poem deals with Larkin's view on young mothers watching their kids playing in a playground and on this he concludes that marrying young and having children young, lead to the mothers losing their identity and destiny. The domestic chores behind them?
Afternoons essay philip larkin
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You can read Afternoons here. Afternoons by Philip Larkin. The afternoons for them are 'hollows' - an ambiguous word suggestingboth welcome shelter (from what? It uses Philip Larkin's 'Afternoons' (from the eduqas anthology) as the focus poem. This implies Larkin, as an outsider observing and looking in, believes that as generations pass romance is lost further and that people have children far to young. Weve offered some tips about the close reading of poetry here, and analyse another classic Larkin poem, Toads, here ; you might also enjoy Larkins Talking in Bed. However, unlike every other poem by Larkin this layout has no direct meaning.
Newness is an unattractive idea in thepoem, a poignant contrast with the lives the women find slipping fromthem. He concludes that the womens beauty has thickened and that something is pushing them to the side of their lives. But Larkin contrasts this with images of the new: the newness of the recreation ground (and, by implication, the new estate the newness of the women as mothers, the newness of the lovers taking over the old courtingplaces, the unripeness of the acorns. The structure of the poem is simple; there are three stanzas with eight lines in each.